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Cherry Poppin' Daddies ~ Silver Tongued Devil


She don't like him talkin to blondes
Girls in town ain't used to men like john
Another waitress sets him up for free
Ain't that good lookin but he sure knows what to say
Yeah
He's got a voice like a tuxedo and pink champagne
When he speaks his heart it sounds so lonely like a leavin train
He sounds so lonely
You're one silver tongued devil

Next door neighbors since we were nine
This old mill town is in a sharp decline
Talks about leaving almost every day
It's the end of the season and there's no reason to stay
Sometimes he'd talk about a fantasy
To go off and become a famous guy
His girlfriend just had the baby and how it would break his heart
Now to leave them behind.


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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